MusicalFare’s Production Brings the Christmas Spirit to Downtown
MusicalFare Theatre’s production of White Christmas, at Shea’s 710, is nothing short of a holiday triumph. This experience sparkles with heart, precision, and joy while honoring one of the most enduring works in the Great American Songbook. Irving Berlin’s timeless music comes vividly to life through superb performances, elegant choreography, and inspired direction, reminding us why these songs continue to resonate across generations and musical traditions.
At the center of the production is a remarkable display of artistry and craftsmanship. Kristy Cavanagh’s choreography is a true standout—crisp, imaginative, and deeply musical. She takes foundational tap and dance vocabulary and elevates it into complex, joyful ensemble moments that allow the entire cast to shine. Every number feels purposeful, energetic, and perfectly placed, adding both visual excitement and emotional lift to the storytelling.
Chris Kelly’s direction moves the production along with impeccable pacing and engagement. The show flows effortlessly, balancing humor, romance, and nostalgia with a sure hand. Under his leadership, White Christmas feels both polished and warmly human—a production that knows when to dazzle and when to let a quiet moment land. The Wallace and Davis team, played by John Kaczorowski and Sean Ryan, carries the show as extraordinary leads.
For jazz lovers, this production holds special meaning. White Christmas is filled with Berlin classics that have long lived in the jazz canon—songs such as “Blue Skies,” “How Deep Is the Ocean,” and “I’ve Got My Love to Keep Me Warm.” These are songs famously interpreted by jazz and Great American Songbook giants like Ella Fitzgerald and Frank Sinatra, and staples of countless instrumental jazz repertoires. MusicalFare’s presentation honors that lineage beautifully.
One of the most breathtaking moments of the evening comes with Maria Pedro’s solo performance of “Love, You Didn’t Do Right By Me” as Betty Haynes. It is, quite simply, extraordinary. Her delivery is intimate, emotionally rich, and deeply musical—so much so that it may stand as one of the finest jazz vocal moments of the year. It’s a performance that stops time. Visualize a Judy Garland-type of stage presence.
Cassidy Kruezer, as Judy Haynes, is equally marvelous. A true triple threat, she brings warmth, charisma, and a fresh vitality to the role. Her vocals sparkle, her dancing is effortless, and her stage presence is magnetic—making her a standout in an already impressive cast.
The ensemble as a whole deserves high praise for its superb engagement, tight comedic timing, and vibrant dancing. Each performer contributes to the show’s infectious energy, creating moments that feel both grand and personal. The supporting characters—particularly General Waverly and Martha Watson—add heart and humor, while young Arden Kacala, as the granddaughter, brings a touching sweetness that grounds the story emotionally.
Musically, the production shines under the direction of Theresa Quinn, whose leadership ensures the score remains emotionally resonant throughout. The musicians support the singers with warmth and precision, allowing Berlin’s melodies to soar.
There is truly so much to love about this production—the classic songs, the exceptional performances, the dancing, the humor, and yes, the moments that will bring a tear to your eye. White Christmas at MusicalFare is more than a holiday show; it’s a celebration of music, storytelling, and the enduring power of songs that continue to be current, relevant, and honor the legacy of the Great American Songbook.
You owe it to yourself—and to the season— to support downtown revitalization – get to Shea’s 710 – to experience it.
