In The Sea (Honsinger/Zubot/Caloia)

Tristan Honsinger – cello
Joshua Zubot – violin
Nicolas Caloia – bass

In The Sea performed an exceptional concert at Hallwalls nearly two years ago and we are thrilled to have the opportunity to present this intense, unhinged, joyous & virtuosic trio of improvisers once again. Join us for an evening with an adventurous string trio unlike anything you’ve heard before!

“The now legendary cellist Tristan Honsinger started improvising in Montreal more than forty years ago, prior to his decisive move to Europe, where he’s been at the centre of improvised music activity ever since. In The Sea represents an oblique sort of homecoming, as well as an introduction to some of Montreal’s finest players today. Their rapport is obvious, the results a satisfying mixture of musical empathy and creative conflict. Tristan plays with characteristic daring from his reserves of readymade tune fragments and shards of poetry and into the protean unknown that is the foundation for the best group improvising. Violinist Josh Zubot and bassist Nicolas Caloia don’t merely follow him there, but provoke him—and each other—in ways that are, by turns, subtle, assertive, and irreverent. A superb encounter.

Honsinger is a particularly interesting artist because he has worked with so many first generation improvising artists and has an intimate knowledge of the regional differences in approach. For example, Honsinger has played extensively with Derek Bailey and Evan Parker in the UK; Misha Mengelberg and Han Bennink in Holland; Peter Brötzmann and Peter Kowald in Germany; and Cecil Taylor in the USA. He has also spent considerable time in Italy and Japan. Currently Honsinger regularly gives workshops and master classes with the ICP Orchestra. In the past the workshops he has given in Montreal have served as a catalyst for a number of important artistic creations, including Jean Derome’s “Oiseaux”. In fact, this entire tour grows out of an informal workshop Nicolas Caloia attended in 1999.”

Josh Zubot fuses many styles in his violin playing, ranging from jazz, free jazz, avant garde, contemporary classical, folk, improvisational, rock to electronic. He has developed through the avant-garde scene in Montreal producing his own albums: Subtle Lip Can, Mendham, and Land of Marigold. Over the last decade, Josh has played with numerous different groups and individuals. Some collaborations were with Chad VanGaalen, Lori Freedman, Patrick Watson, William Parker, Pierre-Yves Martel, Michael Blake, Bernard Falaise, Rainer Wiens, Michel F. Coté, Sam Shalabi, Miles Perkin, Myra Melford, Marshall Allen, Fred Frith, Matana Roberts, Jean Derome, Malcom Goldstein, Pierre Tanguay, Martha Wainwright, John Butcher, to name a few.

Since the early 1990s, bassist Nicolas Caloia has worked at creating a contemporary music generated by using accurately composed textures to channel collective improvisation. The goal is a music that erases the lines between improvised and composed, pop and avant-garde, good and bad. He hopes this music will satisfy the body, the mind and, above all, the heart. He has worked as a performer, composer, and organizer in Montreal and has toured in North America, Europe, and Asia. He has performed and recorded in a vast array of contexts with the most important members of Montreal’s creative music community as well as with internationally renowned musicians like Marshall Allen, John Butcher, Joe McPhee, Steve Lacy, Hassan Hakmoun, Tristan Honsinger and Pandit Hariprasad Chaurasia. His concerts and recordings have been critically acclaimed both at home and abroad. Currently, the majority of his work as a composer and improviser finds a voice in: The Ratchet Orchestra, a 30 piece big band; Tilting, the Nicolas Caloia Quartet; Ring, a sextet; Spell, a 10 piece marching band; Mercury, a duet with Lori Freedman; as well as in solo performances.

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$15 general admission, $12 students/seniors, $10 members