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Ken Vandermark’s Edition Redux
Friday, April 21 @ 8:00 pm - 10:00 pm$15 – $18
Edition Redux is the most recent of Ken Vandermark‘s ensembles, an addition to an ongoing series of bands that have been internationally and critically acclaimed, such as The Vandermark 5, FME, The Resonance Ensemble, The Territory Band, Made To Break, and Marker. In addition to Vandermark, who plays saxophones and clarinets with the group, this quintet is comprised of Lily Finnegan (drums), Erez Dessel (keyboards), and Beth McDonald (tuba/electronics). The music of Edition Redux includes the range of Vandermark’s interests and influences, incorporating the experimental jazz of the AACM; the different schools of improvised music based in England, Netherlands, and Germany; post-punk, Tropicalia, dub, and funk.
Ken Vandermark (USA 1964) is an improvising musician and composer who plays tenor and baritone saxophone, Bb and bass clarinet. He moved to Chicago from Boston in 1989, and has worked from the early 1990s onward, both as a performer and organizer in North America and Europe, recording in an array of contexts with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Sylvie Courvoisier, Tim Daisy, Kris Davis, Dieb 13, Hamid Drake, Terrie Ex, Mats Gustafsson, Elisabeth Harnik, Steve Heather, Didi Kern, Kent Kessler, Christof Kurzmann, Paul Lytton, Joe McPhee, Andy Moor, Jason Moran, Ikue Mori, Joe Morris, Paal Nilssen-Love, Eddie Prevóst, Mette Rasmussen, Tom Rainey, Eric Revis, Jasper Stadhouders, Chad Taylor, John Tilbury, Mars Williams, and Nate Wooley).
His current group activity includes the bands Bent Atlas, Lean Left, The DKV Trio, DEK, his large ensemble Entr’acte, the ongoing Momentum projects; duos with Terrie Ex, Christof Kurzmann, Damon Locks, Paal Nilssen-Love, Mars Williams, and Nate Wooley; and work as a solo performer. Ken co-founded Catalytic Sound in 2012, an organization dedicated to the economic sustainability of creative improvising musicians, and since then has been its director. In 2014 he began Audiographic Records, an independent music label. Since June of 2015 Ken has been co-curator of Option, a music and interview series held at Experimental Sound Studio in Chicago. Half of each year is spent touring in Europe, North America, Latin America, and Japan; his concerts and numerous recordings have been critically acclaimed at home and abroad. Ken’s activity as a writer includes liner notes for a variety of recordings; and contributions to the eighth edition of John Zorn’s Arcana: musicians on music, the music journal Sound American, the Spanish language periodical, “El Estado Mental,” and “Catalytic Quarterly.” In 1999 he was awarded a MacArthur Fellowship in music.
Erez Dessel is an improviser, pianist, composer, and educator. After winning multiple Downbeat Student Music Awards, Dessel moved to Boston to study at the New England Conservatory of Music (NEC), where he worked with a host of jazz luminaries, including Billy Hart, Ethan Iverson, and Jason Moran. As an educator, he led his quartet to perform and teach in over 50 workshops in the Boston area and was also selected to bring his group to the Virginia Arts Festival. After graduating from NEC in 2020, Dessel moved to Savannah, GA to accept the position of music director at the Savannah Music Festival Jazz Academy, Savannah’s first and only free after-school youth jazz program. He currently lives in Chicago, where he’s performed with a host of improvising musicians at venues indulging the Hungry Brain and Elastic Arts. Dessel’s music is centered around exploring improvisation, graphic notation, and polyrhythmic structures. He frequently works with cassette tapes and is currently developing ways to paint with the piano using charcoal, pastel, paper, and linen.
Lily Finnegan is a Chicago born and based drummer, composer and improviser. In 2021 she earned a Master of Music from Berklee College of Music in Boston Massachusetts. She received a full scholarship to participate in the Berklee Global Jazz Institute, a 20 person international cadre of musicians led by Danilo Perez. At Berklee she was also part of the Institute of Jazz and Gender Justice. Here she was mentored by Terri Lyne Carrington, Kris Davis, and Linda May Han Oh. She’s worked on projects with Carrington including Music for Abolition as part of the Visualizing Abolition Exhibit at University of California Santa Cruz. In 2022 Lily returned to Chicago where she is involved in various creative groups and projects.
Beth McDonald is a classically trained tuba player gone awry. She performs mainly as an improviser, using the tuba acoustically and with electronic effects pedals. Densing (2021), her most recent album, uses tuba and electronics in conjunction with natural acoustic resonance to build up unpredictable new layers of sound. In a previous musical life, Beth toured as a contemporary classical musician, chamber musician, and soloist. She also participated in orchestral academies at the Lucerne Festival, Aspen Music Festival, and the Schleswig-Holstein Musik Festival, and was on staff at the Summer Institute for Contemporary Performance Practice.